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Eugene O'Neill
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According to the Powell's website, "Eugene O'Neill's autobiographical play A LONG DAY'S JOURNEY INTO NIGHT is regarded as his finest work." Of his sad plays, it's probably the best for actors -- more good meaty scenes to perform and less experimental asides. Ditto A MOON FOR THE MISBEGOTTEN.
By contrast, STRANGE INTERLUDE is a howl to read and a nightmare to perform. I heard Glenda Jackson talking about it, and she said there's a state direction in which her character is supposed to have her eyes change color. "Which of course I totally failed to do," she added.
Whatever you start with, remember that O'Neill was an innovator for the stage, and was breaking new ground. THE HAIRY APE was, I believe, an exploration of how script, set, and movement can create an original experience -- it wasn't meant to be a purely literary piece.
Biography
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Snipped from the bio at http://www.eoneill.com/biography.htm :
1888-1953 American dramatist and winner of the Nobel Prize for Literature in 1936. O'Neill was born into the theatre. His father, James O'Neill, was a successful touring actor. ,,, spent his early childhood in hotel rooms, on trains, and backstage. … steeped in the peasant Irish Catholicism of his father and the more genteel, mystical piety of his mother, two influences, often in dramatic conflict, which account for the high sense of drama and the struggle with God and religion that distinguish O'Neill's plays.
Educated at boarding schools… attended Princeton University for one year … after left school to begin his real education in "life experience." He shipped to sea, lived a derelict's existence on the waterfronts, submerged himself in alcohol, and attempted suicide. … held a job for a few months as a reporter… came down with tuberculosis. Confined to a sanitarium he confronted himself soberly and nakedly for the first time and seized the chance for what he later called his "rebirth." He began to write plays.
O'Neill's first appearance as a playwright came in the summer of 1916, in Provincetown, Mass., where a group of young writers and painters had launched an experimental theatre. Between 1920 and 1943 he completed 20 long plays and a number of shorter ones. … deriving directly from the scarring effects of his family's tragic relationships. O'Neill's only comedy, Ah, Wilderness!, appeared on Broadway in 1933. Significantly, the play is set in the same place and period, a small New England town in the early 1900s, as his later tragic masterpiece, Long Day's Journey into Night.
O'Neill's tragic view of life was perpetuated in his relationships with the three women he married--two of whom he divorced--and with his three children. His elder son committed suicide… his younger son drifted into a life of emotional instability. His daughter Oona was cut out of his life when she married Charlie Chaplin. [The actress Geraldine Chaplin is their daughter.]
Although respected in the United States, was more highly regarded abroad. In 1936 the Swedish Academy gave O'Neill the Nobel Prize for Literature, the first time the award had been conferred on an American playwright.
O'Neill's final years were spent in grim frustration. Unable to work, he longed for his death and sat waiting for it in a Boston hotel, seeing no one except his doctor, a nurse, and his third wife, Carlotta Monterey. O'Neill died as broken and tragic a figure as any he had created for the stage.

Marian November 7th, 2006 12:28 PM PST